Our Case Study for The Listed Property Owners Club Magazine – “Large Country Estate – Energy Centre”

The Estate sits on 130 acres in the Borough of Basingstoke and Deane. It comprises a Grade II Listed principal building – being the Main House and several subsidiary curtilage buildings. HUB was involved in the various outbuilding works on the site, including Enabling Works related to the whole site infrastructure, complete refurbishment works to a series of Cottages, one with an associated Gardeners workshop. The property dates back from the 1870’s of a baronial chateau style. Features on the estate include steep slated roofs, a castellated parapet to the main building and brickwork outbuildings and a walled garden, all situated within established well landscaped surroundings.

More significantly, our works also included the conversion of an existing oak framed Hobby Barn into an energy generation hub that sits on the outer fringe of the curtilage of the main Listed building. As the barn sat just outside the Listed Curtilage, it meant that it would be ideal as it would offer no harm the Listed Building, but merely assist it and its associated curtilage buildings. Prior to the works, the estate heating was fed via oil, which resulted in various unsightly oil tanks being dotted around the estate, most of which were not discreetly concealed. The inefficiency, undesirable visual impact, the on-going maintenance & the possibility of ground contamination via oil spillage of these tanks did not sit comfortably with the historic estate buildings.

As part of the initial infrastructure works a heat main pipe (heating loop) was buried discreetly in the grounds, which connects all the buildings on the estate to the Energy Centre. This would be the main energy source for heating the estate.  This resulted in clean, low maintenance energy giving the estate a longer lease of life whilst also meeting the demands of contemporary living. A positive result as all the ugly oil tanks could disappear along with their on-going risk of ground contamination.

The two systems of renewable energy that would be carried by the buried heating loop, which were included in the Energy Centre are Low Carbon technologies. Specifically, a Biomass Boiler System that burns recycled wood shaped into pellets and a Ground Source Heat Pump which uses the embedded heat within the earth as a renewable energy source to provide highly efficient heating for the estate.

These energy sources supplied to the estate via the Energy Centre are a sustainable energy source to limit the estate’s carbon footprint, which sits comfortably with the governments requirements to lower our emission targets, which contribute to greenhouse gas reduction & to improve the energy efficiency of the property as a whole.

Other aspects that needed to be considered as part of the design development included careful co-ordination between plant & stringent acoustic envelope requirements which needed to be sensibly incorporated into the constraints of the existing barn building, primarily ensuring that the structural oak frame structure remained intact & functional, whilst offering a discreet solution that effectively appears no different from its original state when viewed externally. This is a truly discreet delivery of long term energy provision without impacting or compromising its immediate environment negatively. A positive result all round.

RED HOUSE – THE ICONIC HOME OF ARTS & CRAFTS

For one of our latest and newest projects, we have been tasked to create nine ‘vernacular and traditional style’ apartments in a new private housing development. With this in mind, we ventured out and enjoyed an inspirational field trip to the Red House in Bexleyheath.

Red House is the only house by the designer William Morris, who employed his friend, the architect, Philip Webb to create a rural family home, within commuting distance to central London. Morris found his inspiration within the Medievalism and Medieval-inspired Neo-Gothic styles, which are heavily reflected throughout the building and it’s interior design, making it an early example of the of what came to be known as the Arts and Crafts movement. Morris was helped with the decoration of his new home by his close friend, the painters Edward Burne-Jones, who created various stained-glass windows and wall murals, as well as embroidery by Janey and Bessie Burden.

And there it was, our inspiration. Based on the style of the area and surrounding properties, we are lending this project elements of the Arts and Crafts movement in our choice of locally inspired materials, design features and contextual approbation details. Hopefully we will be able to share the approved concept with our followers very soon.

 

By D. Placek (HUB Architect) & K. Horn (HUB Office Manager)

Charles I: King and Collector at The Royal Academy of Arts

On yet another grey winter day, we decided to make the most of it and visit at long last the RA for the much-anticipated Charles I: King and Collector exhibition. And as usual the RA did not disappoint.

King Charles I accumulated a sheer extraordinary collection of art in his lifetime, joining “at the time classics” such as Titian, Mantegna, Holbein and Dürer under one roof. He was however also a great supporter of contemporary artists, in particular Van Dyke and Rubens, and commissioned many pieces of himself, the royal family and the court. Charles was so taken by Van Dyke’s work, that he eventually appointed him to be the Principal Painter in Ordinary in 1632, bringing Van Dyke’s contribution, to the fast expanding art collection, to forty portraits of King Charles himself, as well as about thirty of the Queen.

The sheer scale and richness of the collection is spellbinding, even though it only allowed for a small glimpse into the expanse of the original collection, with is estimated to have contained 1740 paintings. Nonetheless, have we not only been able to marvel over the works of some of the greatest artists of the time, but have also been witness to the reunion of over 100 pieces of art, sculptures, paintings, exquisite miniatures and extraordinary tapestries, since their sale after the Kings death in 1649.

https://www.royalacademy.org.uk/exhibition/charles-i-king-and-collector

By K. Horn (HUB Office Manager)